پەڕگە:Thomas Couture - Lawyer Going to Court - Walters 371204.jpg

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کورتە

تامس کوچیو: Lawyer Going to Court  wikidata:Q18749402 reasonator:Q18749402
ھونەرمەند
تامس کوچیو  (1815–1879)  wikidata:Q326434
 
تامس کوچیو
ناوەکانی تر
Monogrammist TC
وەسف French painter، drawer، writer و teacher
ڕێکەوتی لەدایکبوون/مردن ٢١ی کانوونی یەکەمی ١٨١٥ Edit this at Wikidata ٢٩ی ئازاری ١٨٧٩ یان ٣٠ی ئازاری ١٨٧٩
شوێنی لەدایکبوون/مردن Senlis Villiers-le-Bel
Work period بە نزیکی لەنێوان ١٨٣٠ و ١٨٧٩
date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1830-00-00T00:00:00Z/9,P1326,+1879-00-00T00:00:00Z/9,P1480,Q5727902
شوێنی بەرھەم
پاریس (1830-1860), Villiers-le-Bel (بە نزیکی لەنێوان ١٨٦٠ و ١٨٧٠
date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1860-00-00T00:00:00Z/9,P1326,+1870-00-00T00:00:00Z/9,P1480,Q5727902
)
کۆنتڕۆڵی دەسەڵات
artist QS:P170,Q326434
image of artwork listed in title parameter on this page
سەرناو
Lawyer Going to Court
Object type painting Edit this at Wikidata
وەسف
English: A lawyer walks up a wind-blown street, presumably in the artist's native town of Senlis in north-central France. Although he specialized in allegorical paintings, such as "Daydreams," Couture urged his pupils to select subjects drawn from contemporary life. In this scene, the choice of subject and the spontaneity of treatment recall the works of Honoré Daumier (1809-79). The painting also demonstrates the artist's use of exposed areas of white, primed canvas to lend texture and immediacy to his technique.
Depicted place Possibly Senlis
ڕێکەوت بەنزیکی ١٨٦٠
date QS:P571,+1860-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions بەرزایی: ٣٨٫٠ cm؛ width: ٤٦٫٢ cm
dimensions QS:P2048,38U174728
dimensions QS:P2049,46.2U174728
; Framed بەرزایی: ٦٨٫١ cm؛ width: ٧٦٫٢ cm؛ depth: ١٣٫٩ cm
dimensions QS:P2048,68.1U174728
dimensions QS:P2049,76.2U174728
dimensions QS:P5524,13.97U174728
institution QS:P195,Q210081
Accession number
37.1204
Object history
  • Henry Walters, Baltimore, after 1909 [mode of acquisition unknown], [The picture was formerly erroneously listed as coming from the Barbedienne Collection sold in Paris, 1892. No record of the painting appears in the catalogues of William and Henry Walters published as late as 1909]
  • ١٩٣١: bequeathed to Walters Art Museum by Henry Walters
Exhibition history From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Small Paintings from Famous Collections. Taft Museum of Art, Cincinatti. 1981. Parallels and Precedents: Baltimore's George A. Lucas Collection. Baltimore Museum of Art, Baltimore. 1995. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998. Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011.
Credit line Acquired by Henry Walters, after 1909
Inscriptions [Signature] Left, below windowsill: T.C.
سەرچاوەکان Walters Art Museum artwork ID: 27675 Edit this at Wikidata
سەرچاوە Walters Art Museum: Home page  Info about artwork
ڕێپێدان
(بەکارھێنانەوەی ئەم پەڕگەیە)
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